This series explores the relationships between modernist three-dimensional forms and 2-dimensional representation. On one hand, it is both a study of modernism and itself a modernist artifact: the series appears to strictly and rationally investigate formal properties of colour, geometry and composition. Yet these photographs are also an emotive return to the roots of my fascination with architectural photography, where…
I’ve added two new photo pieces, “Vessel,” shot at the Vancouver Aquarium, and “Pulp Fiction” featuring Karyn Roantree, shot in 2009 in downtown Toronto.